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IL GRANDE TEATRO

The great opera stories — told for everyone

← BIZET
Paris, 1875

Carmen

The freest woman in opera — and the man who kills her because he cannot possess her

Characters
Carmen
Mezzo-soprano
Gypsy cigarette-maker, free and wild. She loves whom she wants, when she wants. She would rather die than surrender her freedom.
Don José
Tenor
An honest soldier, engaged to a good country girl. Carmen destroys him: he gives up everything for her, becomes a brigand. When she abandons him, he kills her.
Escamillo
Baritone — the toreador
Famous bullfighter, self-assured. Carmen's new love. He sings the Toreador Song with the same ease with which he lives.
Micaëla
Soprano
Don José's good fiancée. The woman he should have married. She represents everything he betrays.
The Story
Acts I and II — The Seduction

Seville, outside the cigarette factory. Carmen singles out Don José from all the soldiers and throws him a flower. He is already lost. When Carmen is arrested for a brawl, José lets her escape — and ends up in jail. He gets out, runs to her. She dances for him in the tavern. He must return to barracks. She taunts him: he does not truly love her if he leaves. José stays. He has deserted. There is no going back.

Acts III and IV — The Abandonment and the End

Among the smugglers in the mountains, Carmen reads the cards. Death — first for her, then for him. She does not care: she is not afraid. Then Escamillo arrives, the bullfighter. Carmen falls in love with him. Don José understands it is over. News reaches him that his mother is dying — he goes. When he returns, Carmen has already fallen for another. Outside the bullring, José begs her one last time. Carmen throws to the ground the ring he had given her. He stabs her.

L'amour est un oiseau rebelle — The Habanera
Carmen describes love as a wild bird that cannot be caught. It is her declaration of freedom. It is impossible not to recognise it.
The Finale

Carmen is no victim: she chooses freedom until the very last second, knowing what it might cost her. Don José is no murderer in the ordinary sense: he is a man who has lost everything — and does not know how to live without her. Bizet takes no one's side. And he is right.

The curtain falls — but the music remains.
Every opera is a world. Choose yours and let yourself be carried away.