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IL GRANDE TEATRO

The great opera stories — told for everyone

← DONIZETTI
Naples, 1835

Lucia di Lammermoor

The most famous mad scene in opera history — and a love story shattered by family

Characters
Lucia
Coloratura soprano — the protagonist
A young Scottish woman, romantic and fragile. She loves Edgardo with her whole being. When forced to marry another, her mind shatters — and Donizetti transforms madness into music.
Edgardo di Ravenswood
Tenor
A nobleman in a feud with Lucia's family. Their love is forbidden from the start. His final death is among the most beautiful in the tenor repertoire.
Enrico Ashton
Baritone — the brother
Lucia's brother, he forces her to marry another for political reasons. He is not a monster: he is a man who puts family before everything. The result is monstrous nonetheless.
Raimondo
Bass — the chaplain
Lucia's confidant, he tries to protect her. It is he who announces to the wedding guests what has happened in the bridal chamber.
The Story
Act I — Forbidden Love

Scotland, 17th century. Lucia and Edgardo love each other in secret: their families have been enemies for generations. Edgardo must leave for France. They exchange vows of marriage. Enrico, Lucia's brother, needs a political alliance and has already chosen another husband for her: Arturo Bucklaw.

Act II — The Signature and the Wedding

Enrico convinces Lucia that Edgardo has abandoned her by showing her a forged letter. Lucia, broken, signs the marriage contract. At that very moment Edgardo bursts in, returned from France. He sees the signature. He curses her. Lucia cannot explain herself. The quartet that follows — Lucia, Edgardo, Enrico and Raimondo — is one of the most heartbreaking moments in all bel canto history.

Act III — The Madness and the Deaths

That same night, during the wedding feast, Raimondo comes down the stairs with a stricken face. Lucia has killed her husband in the bridal chamber. Then she appears — in a white wedding gown stained with blood, eyes unseeing. She sings in another voice, from another life. She is already elsewhere. She dies shortly after. Edgardo, on hearing the news, stabs himself on the Ravenswood tomb.

Il dolce suono — The Mad Scene
Lucia appears in a blood-stained wedding gown, singing in a state of ecstatic hallucination. It is the most virtuosistic and devastating scene in all bel canto. No soprano ever forgets it.
The Finale

Lucia di Lammermoor defined the Romantic figure of the woman destroyed by love and family. The mad scene influenced every subsequent representation of female madness in nineteenth-century art.

The curtain falls — but the music remains.
Every opera is a world. Choose yours and let yourself be carried away.